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Weapons: A Gripping Horror Mystery That Delivers Chills and Thrills
Review by Roshan, Weapons , the latest horror mystery from director Zach Cregger, hit theaters on August 8, quickly becoming a standout in the genre with its blend of suspense and intrigue. Released by a major studio like Lionsgate (though exact production details are not fully disclosed), the film stars a talented ensemble including Josh Brolin in a lead role, alongside other capable actors whose performances elevate the narrative. With its rapid box office success and critical acclaim, it's a film that's hard to ignore. The plot f…
Coolie Crosses Rs 400 Crore But Monday Drop Raises Concerns
Rajinikanth's latest film faces tough competition from Leo and Jailer despite strong opening weekend performance Rajinikanth's Coolie has collected over Rs 400 crore worldwide in just four days, positioning itself as a potential record-breaker in Tamil cinema. However, a sharp 65% drop in Monday collections has raised questions about whether the Lokesh Kanagaraj directorial can surpass Vijay's Leo and Rajinikanth's own Jailer to become Tamil cinema's highest-grossing film. The action drama opened to massive numbers over t…
Emma Stone revives Old Hollywood glamour on and off screen
From La La Land to red carpet runs, the Oscar winner blends vintage silhouettes, timeless beauty and stylized roles to make Golden Age aesthetics feel current. From Venice to the Oscars, Emma Stone has turned award-season carpets and film roles into a love letter to classic Hollywood . In recent seasons, the actor has paired sleek, archival silhouettes with vintage-tinged hair and beauty, while roles in La La Land and Poor Things revived stylized, old-school glamour on screen. The result is a modern reboot of Golden Age elegance. On scr…
NYT essay says Hollywood’s ‘woke era’ is ending
A guest column argues studios are cooling on DEI and social-justice storylines, citing an “anti-woke” Basic Instinct reboot and Netflix’s The Hunting Wives. On Saturday, The New York Times ran a guest essay by Sharon Waxman , editor in chief of TheWrap , arguing that Hollywood’s “progressive snowflake era” is over. She points to a sold “anti-woke” reboot of Paul Verhoeven ’s 1992 film Basic Instinct , Netflix ’s The Hunting Wives , and muted fallout from a Sydney Sweeney ad as signs of a shift away from DEI-driven choices . Why the essay sa…
